Resistance is nothing new to Indigenous peoples. It forms part of what sustains their peoplehood and their struggle for self-determination. A product of historical processes defined largely by displacement, indigeneity is a label imbued with power. It goes beyond the cultural and linguistic, and is equally a legal and political identity.
The Isnag of Kabugao are one of the many Indigenous peoples in the Philippines suffering from scores of structural oppression. The material bases of their identity – their land and their water – are threatened by an impending dam construction. Though laws require the free, prior, and informed consent of affected Indigenous communities before the implementation of extractive projects like megawatt dams, the state agency mandated to safeguard such right has seemingly set aside the Isnag non-consent.
Emerging from the margins, this adodit is a tapestry of voices of resistance, resurgence, and reparation. If it can unsettle the prevailing comfortable assumptions on the burdens of Indigenous peoples in the margins and in effect contribute to the strengthening of their collective action, then it would be a meaningful, beautiful output transcending generations. This is a narrative of the community’s assertion of their rights, which highlights how intergenerational equity can fuel a people’s struggle.
The Isnag of Kabugao through Kabugao Youth (Jillie Karl Basan, Jann Alexis Lappas, Ma. Angelica Umingli)
Warling Maludon, Roldan Apilit, Angel Umingli, Cariaga Pallat, Budin Balalang
Joao Paulo D. Reginaldo
Kalea Adrienne Aquino
Collaborators whose contributions are indispensable to this project, but whose safety and security require anonymity.